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Dave Granlund | Oscar flub 2017 / media.cagle.com

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An Oscar for a Propaganda Flick

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Hollywood activists prefer their human rights causes blessed by the U.S. government, which contributed to the dubious Oscar for “The White Helmets” propaganda flick, writes Patrick Hennigsen at 21st Century Wire.

Patrick Hennigsen, Consortium News

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https://consortiumnews.com/wp-content/uploads/2017/03/1-White-Helmets-Oscar-al-Qaeda-Terrorist-.jpgMarch 3, 2017 | In your average lifetime, everyone will get to see his or her share of war propaganda films. In America, it’s a kind of sacred tradition, where Hollywood does the job of revisionism, paving over an otherwise uncomfortable history with a new coat of stain. It’s necessary – not just to make us feel better about ourselves, but also to cover-up any inconvenient truths and high crimes of the state.

To be honest, when I first heard about “The White Helmets” film being promoted by Netflix, I wasn’t surprised at all because ever since the Syria conflict began in 2011, the establishment media has gone out of its way to falsely promote it as a “civil war” and have used the NGO known as the White Helmets, which calls itself the “Syria Civil Defense,” as its primary media protagonist in furthering that narrative.

Patrick Hennigsen is the founder and managing editor of the independent news and media analysis website 21st Century Wire.com and host of the weekly SUNDAY WIRE radio show which broadcasts live weekly on the Alternate Current Radio Network (ACR).

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Revolutionary Musings

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“Revolution” by Delano Dunn

Join the revolution!

Barbara Ransby, Huffington Post

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02/28/2017 | Revolution! The word means different things to different people. It has been made seductive by the work of artists like Lin-Manuel Miranda, in his groundbreaking musical, Hamilton. Perhaps a more palatable “call for revolution” is Bernie Sanders’ new organization, Our Revolution, which asks Americans to “reclaim democracy for the working people of our country by harnessing the transformative energy of the ‘political revolution.’”

Invocations of revolution have long held a special place in the radical imagination of Black freedom struggles all over the world.

When I was a teenager growing up in Detroit in the 1960s and 70s, I thought we were on the verge, if not in the midst, of a revolution. 

Increasingly, I have come to view revolution as a process, not an event, as a journey, not a final destination. In fact, there is no ‘promised land’ in my revolutionary imagination, just a beautiful eternal promise that we make to one another (and to the planet) to fight with unrelenting passion for a more just, humane and sustainable world.

Barbara Ransby: Distinguished Professor of African American Studies, Gender and Women’s Studies, and History at the University of Illinois at Chicago (UIC)

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It Can’t Happen Here

 

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But all if this is simply American fiction, the product of Sinclair Lewis’ powerful imagination. Just a tale from the 1930’s. Fantasy. It can’t happen here.

Lee Miller, Santa Fe Reporter

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January 19, 2017 | Donald Trump’s ascendency to the American Presidency is strikingly similar to the rise of Buzz Windrip, a fictional politician in Sinclair Lewis’ novel It Can’t Happen Here (1935). The first half of Lewis’ story describes the social conditions that contributed to Buzz Windrip’s improbable rise, while the second half of the book outlines the devastating impacts of his revolutionary leadership.

Sinclair Lewis, the first American novelist to win the Nobel Prize, wrote It Can’t Happen Here during the early 1930’s, at the heart of the Great Depression and the rise of fascism in Europe. The main character of this story, Buzz Windrip, is an unconventional politician who upsets FDR and the Democratic Party establishment. He wins the presidential primary by tapping economic and social fears of common citizens. 

Lee Miller graduated from Cornell University and has taught writing for over thirteen years at the secondary and post-secondary levels.  This column examines current events through the lens of quality literature.

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